Mario Joyce

Mario Joyce is a self-taught artist whose process is heavily influenced by prejudices experienced growing up Black and Queer in rural Ohio. He uses genealogical research, soil from the farm he grew up on, carefully sourced vintage collage materials, and oil paint to explore how American History is steeped in selective storytelling that neglects to share the experiences of marginalized communities.

The artist had solo exhibitions at UTA Artist Space in Los Angeles (2024) and UTA Artist Space in Atlanta (2022) as well as Sakhile&Me in Frankfurt (2023), with an upcoming solo exhibition at Vielmetter in Los Angeles (2024). Recent group exhibitions include shows at UTA Artist Space in Los Angeles (2024), Vielmetter in Los Angeles (2024), Sakhile&Me in Frankfurt (2023), MUZEO Museum and Cultural Center in Anaheim (2023), F2T Gallery in Milan (2023), New York Culture Club with Good Black Art (2022), and Over the Influence in Los Angeles (2022). Mario Joyce’s work has also been presented at art fairs such as Art Cologne (2024), The Armory Show (2024), Art Basel (2024), Felix Art Fair (2022) and Future Art Fair (2021).

In 2024, Mario Joyce participated in the Sointula Art Shed Artist Residency and he is a 2023 alum of the Skowhegan School of Painting and Sculpture summer residency. He has completed the Pratt Institute of Art’s Pratt>FORWARD residency at New Lab in Brooklyn Navy Yard in 2022 and also participated in the La Brea Studio Residency at The Cabin in Los Angeles (2021) as well as the ArtCrawl Harlem Residency in New York City (2021)

Artist Statement

"Paralleling my experiences as a Queer, Black boy growing up in rural Ohio to those of my direct male ancestors is integral in my practice. I begin with genealogical research, collecting stories and supporting these narratives with primary records. I then source vintage collage images from used books printed between 1965-1999, specifically nodding to my grandfathers’ generation and my earliest memories of them. These vintage images are of natural scenes and elements, space, stars and mysterious heavenly bodies. I compile them within the Black male figure on canvas. These figures are avatars of me, meant to represent specific male ancestors. Then, using a thick impasto technique with oil paint, I recreate scenes from my childhood farm. In the surrounding fields and forests there was solace from constant racial and homophobic attacks. Connecting to my ancestors in these fields, they guided and strengthened me from a very early age. If they could survive the impossible, surely I could tap that very strength, which must still exist in my veins. This enters my practice through varying brushstrokes that speak like a language or a script. Using old brushes, the movement of paint across the canvas retells chosen narratives continuously in my mind. Recently, soil collected from my childhood farm has been included in the paint to further connect to the space and, in a way, record all that it has witnessed. Within this investigative process, it is possible to find new ways of healing my own generational and personal trauma."